Student Films
Girl Dinner
Amelia is in her first year of law school. She recently landed an internship at a major law firm and is on track to continue there as a litigator upon graduation. She is deeply in love with Trinity but, due to work and school demands, is increasingly unable to spend time with her. She understands Trinity’s frustration, but she’s doing all that she can with the time she has. She feels as though Trinity doesn’t appreciate that the time she is investing in school and work will pay dividends for them both – in just a few years. Trinity is newly starving artist. She loved that her work at a pottery shop allowed her to paint and connect with other artists. She was actually a bit of a workaholic. But recently let go, Trinity’s job search has endured for far longer than expected. And during this stretch, she has found a new appreciation for life – for the little things. She loves Amelia so much, but is growing resentful. She understands why Amelia does what she does, but it doesn’t feel good.
As competing priorities and shifting perspectives create tension, a seemingly simple dinner becomes a space for confrontation, vulnerability, and reflection.
Dance of the Spirits
Crescendo
Pink Isn’t Your Color
RUGIADA DI VITA (DEW OF LIFE)
Maria Picardi Coliac was born in Barletta in 1926, the daughter of Vincenzo and Anna Scotti. From childhood she showed a marked inclination for art, encouraged by her father, a skilled draughtsman. At the age of eight, she was entrusted to the care of the painter Vincenzo De Stefano, whose studio became a fundamental training ground for her until the master's death in 1942. Despite her excellence in the arts, she also took on other challenges, attending grammar school and classical high school, and experimenting with various activities such as sports, music, embroidery and poetry.
After the death of her teacher, Maria Picardi Coliac immersed herself completely in the world of art, attending further painting studies in Barletta and later enrolling at the Academy of Fine Arts in Rome and Naples. Despite the pressures of family and society, she continued on her artistic path. In 1951, she married Leopoldo Coliac and had two daughters, continuing to paint and study art.
In the following years, Maria Picardi Coliac distinguished herself as a painter, participating in numerous exhibitions and winning important prizes and awards. She became a member of various artistic and cultural institutions, dedicating part of her works and energy to humanitarian and social causes. His artistic career is characterised by a wide range of techniques and styles, but oil remains his favourite.
Her art is characterised by a harmonious fusion of classical tradition and modernity, with lively brush strokes and a delicate palette.
Over the years, Maria Picardi Coliac has continued to be a prominent figure on the art scene, exhibiting in important national and foreign museums and receiving prestigious awards.
Her dedication to art and her social and cultural commitment make her an admired and respected figure both locally and internationally.
Boy Forgotten
Searching For Color
Everything begins to shift when she meets Gina, a compassionate nail technician who becomes an unexpected maternal figure. Through their growing relationship, Gina introduces Megan to small but meaningful pieces of Asian culture, helping her reconnect with herself and see beauty in the parts of her identity she once hid. As the color red becomes a symbol of confidence, heritage, and self-acceptance, Megan begins to reclaim her voice. But when Gina decides to return to China, Megan is forced to confront what their relationship truly means and whether she can carry the confidence Gina inspired within her on her own.
